Brazilian composer, songwriter, arranger, pianist and singer.

davifonseca.tez

The mountain standing still watching life passing by.


Davi Fonseca (piano, composition and arrangement)
Ulisses Luciano (flugelhorn)
Alexandre Andrés (flute)

Lucas Filipe Oliveira (gif art)


Part of the Quer Ver Escuta original's sound track.

 Life, Sand and Movement

In this arrangement I traced a long path from melancholy to joy. In this movement the images and sound move from a night mood to a sunshine energy. 



Davi Fonseca (piano and arrangement)
Alexandre Andrés (c flute)
Alexandre Silva (clarinet)
Camila Rocha (acustic bass)
Natália Mitre (vibraphone)
Yuri Vellasco (drums)

M.C. Guarnieri (composition)
Lucas Filipe Oliveira (gif art)

Ponteio nº16 - Final Ep./Full Song

The original version of this song brings a deep and, also, beautifull Brazilian melancholy of the "sertão" cowboys.

In my arrangement I traced a long path from this melancholy to joy.

Using solar and circular movements, Lucas brought visual life for this song!


Davi Fonseca (piano and arrangement)
Alexandre Andrés (c flute)
Alexandre Silva (clarinet)
Camila Rocha (acustic bass)
Natália Mitre (vibraphone)
Yuri Vellasco (drums)

M.C. Guarnieri (composition)
Lucas Filipe Oliveira (gif art)

Ponteio nº16 - Episode IV


Multiple rhythmic plans always enchanted me. In this arrangement I used polyrhythm as a variation resource and the gif animation (made by Lucas Filipe) shows this very well!


Davi Fonseca (piano and arrangement)
Alexandre Andrés (c flute)
Alexandre Silva (clarinet)
Camila Rocha (acustic bass)
Natália Mitre (vibraphone)
Yuri Vellasco (drums)

M.C. Guarnieri (composition)
Lucas Filipe Oliveira (gif art)

Ponteio nº16 - Episode III

It’s impossible to make music alone, I believe that the greatest wealth in this art is in the encounter.

For that reason this piece brings a flash photo from my sound brothers and sisters whom make my music possible and alive!

Thank you very much folks! This is about music process.

Davi Fonseca (piano and arrangement)
Alexandre Andrés (c flute)
Alexandre Silva (clarinet)
Camila Rocha (acustic bass)
Natália Mitre (vibraphone)
Yuri Vellasco (drums)

M.C. Guarnieri (composition)
Lucas Filipe Oliveira (gif art)


Ponteio nº16 - Episode II

This song, composed by M. C. Guarnieri, reminds me the traditional songs of the brazilian sertanejo cowboys.

The composition brings a game between rhythms in five and four. So does the animated art, playing with the difference between squares and pentagons.

I've made this arrangement to a bass clarinet, which brings  the breath of melancholy, and vibraphone.

In the next Episode this melancholy feel goes to different places.

Composition: M. C. Guarnieri
Arrangement: Davi Fonseca
Gif Art: Lucas Filipe Oliveira 
Vibes: Nat Mitre
Bass Clarinet: Alexandre Silva
Piano: Davi Fonseca

Ponteio nº16 - Episode I

This is the Três Barras arrangement's score.

Seven other musicians and I spent weeks studying this score until we were able to record it.

This is about musical process!

Três Barras it's a wonderful waterfall in Chapada Diamantina - Bahia - Brazil.

After spending 20 days immersed in this place with some of my best friends, I just sat at the piano and composed this song.

Composition by Davi Fonseca
Lyrics by Lucas Filipe Oliveira
Arrangement by Rafael Martini

Davi Fonseca (Piano and Voice)
Mônica Salmaso (voice)
Rafael Martini (accordion)
Alexandre Andrés (c flute)
Alexandre Silva (clarinet)
Camila Rocha (acustic bass)
Natália Mitre (Berimbau)
Yuri Vellasco (drums)

Três Barras on paper

Três Barras it's a wonderful waterfall in Chapada Diamantina - Bahia - Brazil.

After spending 20 days immersed in this place with some of my best friends, I just sat at the piano and composed this song.

Composition by Davi Fonseca
Lyrics by Lucas Filipe Oliveira
Arrangement by Rafael Martini

Davi Fonseca (Piano and Voice)
Mônica Salmaso (voice)
Rafael Martini (accordion)
Alexandre Andrés (c flute)
Alexandre Silva (clarinet)
Camila Rocha (acustic bass)
Natália Mitre (Berimbau)
Yuri Vellasco (drums)

Três Barras

Saci is a well-known character of the Brazilian mythology.

He has a pipe, a magical red hood and only one leg.

He is always messing around.

Night travelers fear his whistles but he is not evil, just like to joke.

His name has Tupi-Guarani origin.

Saci (Davi Fonseca)
Solo Performance by Davi Fonseca
Sound Engineer - Alexandre Andrés

Saci - Solo Performance

Cantiga Hermética is about the anguish and doubts of a single mother in the Brazilian backlands.

She gives birth to a boy who, after growing up, decides to go out in search of the world beyond his reality, hoping to find his father and a possible brother.


Davi Fonseca (composition, arrangement, piano and voice)
Alexandre Andrés (c flute)
Alexandre Silva (clarinet)
Camila Rocha (acustic bass)
Natália Mitre (vibraphone)
Yuri Vellasco (drums)
Lucas Filipe Oliveira (lyrics)

Cantiga Hermética

This is the João no Pati arrangement's score.

Six other musicians and I spent weeks studying this score until we were able to record it.

This is about musical process!

João no Pati on paper

I love to do theater soundtrack.

This song is from the play Quer Ver Escuta, from the huge Grupo Galpão!

Original soundtrack by Davi Fonseca.

Davi Fonseca (composition, arrangement, piano and percussion)
Luka Milanovic (violin)
Alexandre Silve (clarinet)
Pedro Durães (mix and master)

Soundtrack Series - #01

Três Barras it's a wonderful waterfall in Chapada Diamantina - Bahia - Brazil.

After spending 20 days immersed in this place with some of my best friends, I just sat at the piano and composed this song.

In my album I recorded it with full band, but it was on piano and voice that she was born. Just like this solo performance!



Davi Fonseca (piano, voice, composition and lyrics)
Lucas Filipe Oliveira (lyrics)
Alexandre Andrés (sound engineer)


Três Barras - Solo Performance

This is the Lia arrangement's score.

Five other musicians and I spent weeks studying this score until we were able to record it.

This is about musical process!

Lia on Paper

This is the Saci arrangement's score.

Five other musicians and I spent weeks studying this score until we were able to record Saci.

This is about musical process!


Davi Fonseca – Composition, arrangement, piano, keyboard, especial piano and voice. 
Alexandre Andrés – C flute
Alexandre Silva – Bass clarinet
Camila Rocha – Acustic bass
Natália Mitre – Vibraphone e Marimba
Yuri Vellasco – Drums and Percussion

Pedro Durães - musical production

Saci on Paper

Lia is my niece, daughter of a very close brother.


It was very thrilling to see this new life coming to earth, turning my brother into a father.


This music is about that.


Davi Fonseca - Composition, arrangement and piano.
Alexandre Silva - Clarinet
Natália Mitre - Vibraphone
Camila Rocha - Acustic Bass
Yuri Vellasco - Drums
Alexandre Andrés - C flute

Saci is a well-known character of the Brazilian mythology.

He has a pipe, a magical red hood and only one leg.

He is always messing around.

Night travelers fear his whistles but he is not evil, just like to joke.

His name has Tupi-Guarani origin.

Saci

Pati is a valley in the heart of Chapada Diamantina, a huge Brazilian national park.

João is my best friend.

“João no Pati” was created after crossing on foot this emblematic place.


Davi Fonseca (composition, arrangement, piano, keyboard and voice)
Alexandre Andrés (c flute)
Alexandre Silva (clarinet)
Camila Rocha (eletric bass)
Natália Mitre (berimbau and vibraphone)
Yuri Vellasco (pandeiro, drums and tabla)
Felipe Vilas Boas (guitar)


choir: Sofia Cupertino, Raquel Liboredo, Iaiá Drumond, Valéria Braga e Irene Bertachini.


João no Pati

cultcompound





Esta edição é apenas para eu presentear outros criadores de teia que eu gosto. Lamento não poder comprar todo o seu trabalho, mas talvez possamos compartilhar.

Em 11 de fevereiro de 1935, o cadáver de Edith Peshak, cheio de câncer, foi entregue aos Auxiliares Invisíveis, para a perfeição de sua alma. A lavagem do corpo, o clima frio e seco e os enemas de leite e ovo que sustentavam seu vaso levaram à mumificação. Seu filho alertou as autoridades e, eventualmente, os seguidores de The Home of Truth passaram da necroaspiria para a cremação. As cinzas de Edith estavam escondidas nas terras do desfiladeiro. Eventualmente, um marcador foi colocado em Idaho ao lado do local de descanso final de seu querido marido Elmer. O culto de Marie Ogden desapareceu na história.

Pintando o local da perfeição de Edith com música indexando o inevitável deslizamento do espiritualismo para a ilusão, afiliações fascistas e a esperança perdida de uma nova era, conforme prometido por um líder carismático, esses NFTs foram gravados no local das ondas do ar, fevereiro de 2022. A música é para o local, no local. Uma hora e vinte e um minutos de duração, música generativa.

https://youtu.be/HLvH7pUaxLo


Dirge para a perfeição de Edith 33 para amigos

os_metasambas

this is the fourth song of our first series 'mambembe AI'.

'os_metasambas' makes language experiments w/ brazilian music and musical collages of stuff like glitchy sounds, funk carioca and electronic music.
@iagovrs (voice, guitar)
@danilomap (beatmaker, arranger)

[letra:]
pense na China
por favor, não se esqueça da China
olhe pra China

não se esqueça que ela olha pra você
ela quer te conhecer
quando a hora chegar

pense na China

[lyrics:]
think about China
please, don’t forget about China
look at China

don’t forget that she looks at you
she wants to know you
when the time comes

think about China

(for collection and appreciation. if you want to use the song, contact us.) 

davifonseca.tez

Wallets